Marrakech – Morocco’s national team has delivered a standout run at the Africa Cup of Nations, advancing to the semifinals and keeping a strong shot at the title alive.
On the streets, in cafés, and across social media, the momentum has reignited a familiar companion to footballing success: music.
As the Atlas Lions push forward, a new wave of patriotic anthems has emerged, turning the tournament into a cultural moment that goes beyond the pitch.
At the start of the competition, collective tracks dominated the soundscape, bringing together multiple artists to celebrate unity and competitive spirit.
As Morocco progressed deeper into the tournament, individual releases began to surface, with several high-profile names unveiling new songs over the past few days.
Together, these releases reflect a broader narrative, one where football, popular culture, and national identity intersect.
Here are seven among notable songs that have defined Morocco’s AFCON soundtrack so far, drawing from the country’s rich musical heritage, from Gnawa to chaâbi, while embracing contemporary pop production.
Zina Daoudia – “Tiki Taka”
Zina Daoudia steps in with “Tiki Taka”, a high-energy track she both wrote and composed herself.
Produced by Walid Bensid, the song leans heavily into popular Moroccan rhythms, blending festive chaâbi influences with a modern arrangement.
Daoudia’s powerful vocal delivery, marked by traditional melodic flourishes, adds urgency and excitement, positioning the song as a crowd-pleasing anthem built for celebration.
Dounia Batma – “Ki Sba3”
“Ki Sba3” (“Like a Lion”) arrives as a fully realized artistic collaboration. Written by Mohamed Amine, composed by Salah Moujahid, and arranged by Mourad El Madani, the track is paired with a music video directed by Amine Mourtada.
Lyrically, it is rich in cultural symbolism, referencing traditional attire like the caftan and evoking the legacy of Nass El Ghiwane, pioneers of socially conscious Moroccan music.
Folkloric instruments and ululations heighten the sense of collective pride and resilience.
Mounir Slimani – “Hna Jina”
With “Hna Jina” (“We’re Here”), Mounir Slimani delivers a direct and functional chant designed to echo through stadium stands.
The distribution by Bilal Africano keeps the rhythm relatively restrained but emotionally charged, allowing the slogan, already familiar to fans, to take center stage.
Slimani’s straightforward performance emphasizes confidence and presence, reinforcing the song’s role as a motivational tool for supporters and players alike.
Hatim Ammor x Salma Rachid x Fnaire – “Lmaghribia”
One of the tournament’s most prominent collaborations, “Lmaghribia” (“Moroccans”) unites Hatim Ammor, Salma Rachid, and the iconic group Fnaire.
The track balances emotive vocal performances with strong rhythmic sections, anchored by a catchy chorus built for mass participation.
With its clear message of pride and belonging, the song positions itself as a unifying anthem aimed at a broad national audience during a moment of collective anticipation.
Zouhair Bahaoui x Manal x Nouamane Belaiachi – “Marroquinos”
Produced by RedOne, “Marokinos” brings together three of Morocco’s most popular young artists: Zouhair Bahaoui, Manal, and Nouamane Belaiachi.
The song pulses with upbeat energy, alternating between solo performances and a shared chorus that reinforces national pride.
Directed by Younes Belaiachi, the music video captures celebratory scenes in Marrakech, highlighting youth culture and the festive atmosphere surrounding Morocco’s AFCON journey.
Cheb Simo – “Azoul Africa”
Cheb Simo’s “Azoul Africa” (“Hello Africa”) stands out for its linguistic and cultural inclusivity.
Performed primarily in Amazigh, with touches of Moroccan Arabic, the song takes its title from “Azoul,” meaning “hello” in the Amazigh language (Tamazight).
Directed by Yassine El Khatri, the video complements the track’s celebratory tone, framing it as both a Moroccan and African anthem, one that emphasizes belonging, diversity, and continental pride.
Dizzy Dros x Chaimae Abdelaziz x Muslim x H-Kayna – “Achkid Achkid”
Built on a hard-hitting hip-hop backbone layered with Moroccan rhythmic elements, the track channels the raw energy of the terraces rather than polished pop celebration.
Lyrically direct and confrontational, “Achkid Achkid” (“Come, Come” in Tamazight) leans into the language of street chants and collective challenge, positioning belief and defiance at its core.
