Fez — Moroccan-Brazilian artist LALA TAMAR has released her new single “Dak lHbib” today marking the second unveiling from her upcoming debut album and reaffirming her position as one of the most singular voices bridging Moroccan heritage with global soundscapes.

Released via Tigmi Records, “Dak lHbib” (“That Lover”) arrives as both a revival and a reinvention. 

Built on the bones of a forgotten Moroccan classic written by Albert Swissa, the iconic composer behind “Sidi Hbibi” and “Atar Ya lAtar,” the track transforms emotional memory into rhythm, leaning confidently into Moroccan chaabi influences that make it a dance song par excellence.

In a statement to Morocco World News, LALA TAMAR reflected on the personal weight behind the project, saying: “As a woman with Moroccan and Brazilian roots, I have spent my life searching for my identity — where I belong. My album is where far oceans finally meet.”

She added that “Dak lHbib” reflects years of learning and mastering Moroccan music, honoring women’s heritage and ritual while carving out a deeply personal voice that feels both honest and celebratory.

A meeting of generations and genres

Featuring the legendary Khadija El Warzazia, and co-produced by DJ VAN, the song blends traditional Moroccan vocals and percussion with contemporary electronic textures. The result is a sound that feels at once intimate and expansive, rooted in ritual yet unmistakably modern.

LALA TAMAR

Rather than approaching tradition as a museum piece, LALA TAMAR treats it as a living body. Chaabi rhythms anchor the track, inviting movement, while layered production opens space for vulnerability and release. Heartbreak becomes kinetic, grief becomes communal, and memory finds new life on the dancefloor.

A modern Marrakchi lens on a classic

“Dak lHbib” reimagines Swissa’s composition through what LALA TAMAR describes as a modern Marrakchi lens. The song moves between softness and strength, echoing the emotional duality long embedded in Moroccan popular music. It is celebratory without denying pain, tender without losing its pulse.

LALA TAMAR and Khadija EL Warzazia

The accompanying music video, directed and produced by Abdelilah Belam, extends this vision visually, translating rhythm into gesture and grounding the track’s emotional arc in movement and space.

An artist shaped by crossings

LALA TAMAR’s artistic identity is inseparable from crossing borders. A singer-songwriter, poet, guimbri player, and dancer, she sings in Arabic, Amazigh, and Portuguese, weaving Moroccan soul with Brazilian rhythm. She made history as the first artist to record a contemporary album in Haquetia and has been among the first women to bring the guimbri into new musical worlds.

LALA TAMAR With Guembri

Her young career has taken her from intimate ritual spaces to international stages, including a recent debut at New York’s Lincoln Center. Yet, her work remains deeply anchored in Moroccan femininity, ancestry, and oral memory.