Marrakech – The curtains closed on the inaugural edition of the Fusion Show Ayta D’Bladi on Saturday night at the Mohammed V Sports Complex in Casablanca, following a dazzling evening featuring some of the most iconic names in the Moroccan music scene.
Held in a vibrant atmosphere, the event brought together traditional Moroccan music and contemporary genres, uniting artists such as Abdelaziz Stati, Abdellah Daoudi, Manal Benchlikha, and Ibtissam Tiskat on one stage.
Their shared mission? To present a modern reinterpretation of the rich cultural heritage of Aïta, a traditional Moroccan musical form that embodies storytelling and emotional expression.
The evening reached its peak during dynamic duets that blended styles and generations. Abdelaziz Stati and Ibtissam Tiskat captivated audiences with their rendition of “Laâloua,” merging Stati’s powerful vocals with Tiskat’s soft and melodic tone. Meanwhile, Abdellah Daoudi and Manal Benchlikha breathed new life into Mal Habibi, drawn from Aïta Rkoub El Khayl, delivering a performance marked by energy, emotion, and modernity.
Stati took the stage solo as well, performing crowd favorites including Sidi Ahmed, which echoed throughout the venue as the audience sang along.
Speaking to MAP, he described his participation as “a celebration of authenticity and modernity,” highlighting the importance of blending contemporary sounds with the spiritual heart of Aïta.
Ibtissam Tiskat also performed hits from her repertoire before debuting her first-ever Aïta passage. She called the experience “singular and deeply honorable.”
Manal Benchlikha fired up the stage with her anthem hits like “Niya,” “Kon Jat Aaliya,” “Call Me,” “Nta and Ma Khlaou Ma Qalou,” before joining Daoudi for their cross-genre performance.
She admitted feeling the pressure to respect the roots of Aïta while adding her own signature flair.
Daoudi, who offered a medley of fan favorites such as “Qoulou Liha Tensani,” “Haka Ajebni Rassi,” and “Ha Malo,” praised the duo performance as a fresh take on the genre: “The fusion between rap and traditional rhythms created a unique style that truly resonated with the audience,” he said.
Over three days, the festival showcased a diverse program celebrating the intersection of tradition, diversity, and innovation, a testament to the richness of Moroccan music.
Organized by Public Events, the first-ever Fusion Show Ayta D’Bladi was not only a tribute to the pluralism of Moroccan sound but also an invitation to rediscover a living art passed down from generation to generation.
