Draganov’s New Track ‘Tach’ Breaks Into YouTube’s Global Top 10 in Less Than 24 Hours
With his latest hit , the artist has taken Moroccan rap to the world stage in record time. Fez– Moroccan rapper Draganov has once again proven that his music knows no borders. His latest release, “Tach”, stormed into YouTube’s worldwide trending chart, landing in the top 10 within a single day of its debut. In just 24 hours, the track racked up more than 490k views, claiming the number one spot in Morocco, fourth in Algeria, and seventh in France. Draganov’s success is not accidental. Known for his ability to push creative limits, he has built a reputation as one of Morocco’s most innovative voices in contemporary rap. With “Tach”, he has taken that reputation further by blending rap with Rai, creating a fresh hybrid sound that feels distinctly Moroccan yet globally relevant. The experiment paid off. The track is catching attention not just for its numbers but for its originality. Moroccan rap has been evolving quickly over the past few years, and Draganov has been at the center of that transformation, experimenting with rhythms, melodies, and themes that move away from the predictable. “Tach” is bold, catchy, and unmistakably his. Listeners have been quick to embrace the song, praising its fusion of street energy with North African musical heritage. Rai, a genre with deep cultural roots in Algeria and Morocco, adds a nostalgic yet vibrant layer to Draganov’s hard-hitting rap delivery. By mixing the two, he is carving out a new space in Moroccan music, one that respects tradition while sounding fresh to younger audiences. This is not the first time Draganov has made waves online, but “Tach” marks a new milestone. Breaking into YouTube’s global top 10 is no small feat, especially for an artist working outside the conventional hubs of the music industry. It signals not only his rising popularity but also a growing international appetite for Moroccan sounds. Fans and industry observers alike see Draganov’s latest achievement as proof that Moroccan rap is entering a new era, one where local talent can speak to global audiences without losing its identity. The success of “Tach” is also a reminder that innovation, when rooted in authenticity, travels fast. If Draganov’s career so far has been a steady climb, “Tach” feels like a leap forward. It is a moment of validation for an artist who refuses to play it safe and proof that Morocco’s music scene is becoming a powerful force on digital platforms.
Madden 26 Drops Rap-Packed Playlist Featuring Hip-Hop’s Biggest Names
With a mix this strong, the real challenge might be focusing on the plays instead of vibing to the music.
Tremplin L’Boulevard 2025: Rap Rules the Lineup as Finalists Are Announced
Beyond the stage time and applause, Tremplin offers something far more valuable for young artists trying to break through. Fez – This September, Casablanca’s iconic music stage returns to amplify the voices of young Moroccan artists. The beloved Casablanca festival promises 15 rising acts from across Morocco, dominated once again by rap and hip-hop. Casablanca’s flagship competition for young music talent, Tremplin L’Boulevard has officially revealed its lineup for this year – and rap is still king. Running from September 18 to 21 at the RUC Stadium, the event will welcome 15 up-and-coming groups from all over the country, with hip-hop artists once again leading the charge. This emphasis on rap is not exactly a shock. Morocco’s rap scene has been gaining serious momentum over the past decade, and this year’s application numbers speak for themselves: out of 340 submissions, a staggering 309 came from the rap and hip-hop category. Fusion and other contemporary genres drew just 21 entries, while rock and metal accounted for 10. Still, the diversity of origin remains one of the festival’s strong points. The selected groups hail from nearly every corner of Morocco: Agadir, Oujda, Fez, Casablanca, Nador, Smara, Rabat, Tinghir, Taroudant, and beyond. It’s a wide net, and it catches exactly what Tremplin is meant to capture: the raw pulse of a new generation making noise on their own terms. The competition will unfold over three nights, with each genre taking the spotlight. The rap and hip-hop showcase opens the festival on September 18, followed by fusion on the 19th, and rock/metal on the 20th. On the final day, September 21, prizes will be awarded and winners announced. Beyond the stage time and applause, Tremplin offers something far more valuable for young artists trying to break through. The top three winners will receive cash prizes: 10,000 MAD for first place, 5,000 MAD for second, alongside a week-long professional training program and a recording session at Studio Hiba, the festival’s longtime partner. Here’s a look at who made the cut: Rap/Hip-Hop Performing September 18 Al 7assan – Agadir VLIEN– Sale AESSA– Oujda Amin 0M – Fez Toxico – Fez Elboo– Oujda Double I – Meknès Fusion / Contemporary Performing September 19 Koungou – Tanger Badil – Mohammedia Yassine Taire Lile – Agadir Imadriwen – Ouarzazate Rock / Metal Performing September 20 The Sexophones– Casablanca Band 17– Rabat Manic Attack– Temara New Hate– Casablanca With the countdown to this promising September having begun, the energy around this year’s lineup confirms what we already know: Moroccan rap is a full-blown movement. But Tremplin L’Boulevard continues to give space to genre-bending fusion and rock bands as well, staying true to its mission to support musical diversity and push the next wave of underground talent into the spotlight.
Moroccan Rapper Najm Releases New EP ‘U’ Featuring Manal, Tchubi, and Zamdane
Known for his mystery and precision, Najm unveils a personal and tightly produced EP titled U. Fez – On July 18, Moroccan rapper Najm returned with a new project titled “U,” a short, five-track EP that continues to build on his signature sound and visual identity. Known for keeping a low profile and never revealing his face, Najm delivers a well-produced, emotionally personal body of work, once again proving his ability to stay original and consistent in an ever-changing music scene. The new EP brings together three major names: Manal, Tchubi, and Zamdane. Each artist brings their own energy to the project, contributing to what feels like a collective reflection on love, fear, and emotional distance. The sound is stripped down, focused, and intentional. Nothing feels random or rushed. The production is minimal and clean, leaving space for the lyrics to carry the emotional weight. The collaboration with Manal on “Riri&Rocky” is one that fans have been expecting for a while. Since 2024, Manal has openly supported Najm’s music, especially his track “Rata,” which she shared several times during her pregnancy. Even after giving birth, she continued to mention how much the song meant to her, which made this new feature feel like a natural progression. On “Afraid of Lovin’U,” Tchubi joins Najm for one of the most emotional songs on the EP. His voice blends perfectly with the track’s theme, navigating the fear and confusion that often come with real emotional attachment. Meanwhile, Zamdane appears on “Obsessed,” bringing in the reflective and melancholic style he’s known for. A few weeks before the release, Najm appeared as Zamdane’s guest on Skyrock in Paris to perform the single “’Bout U,” which quietly introduced the new project without any formal announcement. Read also: Newly Discovered Einstein Memoirs to Be Published The rollout of “U” followed Najm’s usual approach: low-key, thoughtful, and visually consistent. This time, instead of hiding behind a mask, Najm covered his face with his hand, a simple gesture that soon appeared on the Instagram accounts of Manal, Tchubi, and Zamdane, each posting a similar photo without any caption. It was only later that fans understood these posts were connected to Najm’s upcoming release. Najm is involved in every aspect of his creative process. He oversees the music, the visuals, and the full artistic direction behind his projects. From the cover art to the tone of the campaign, everything follows a clear line. With “U,” he continues to define his aesthetic: precise, controlled, and always emotionally grounded. Earlier this year, Najm was selected by Spotify for its Radar program, which supports rising talents around the world. He also performed his first sold-out show at the Renaissance cinema in Rabat, gaining more attention without relying on overexposure or media buzz. Artists like Stormy and Ouenza have already shown their support, but Najm remains focused on his own path: quiet, steady, and fully committed to quality over noise. “U” may be a small project in size, but it confirms Najm’s place in the current Moroccan music scene: an artist who prefers to speak through his work rather than his presence, and who values depth, detail, and direction.
50 Cent Brings the Heat to Mawazine 2025 with a Throwback to the Golden Age of Rap
Rabat’s Mawazine stage became a playground for hip-hop nostalgia last night. Fez– There are concerts, and then there are cultural time machines, and 50 Cent’s performance at Mawazine 2025 was exactly that. In front of an electrified crowd that spanned generations, Curtis “50 Cent” Jackson delivered more than just a setlist. He served up a full-on nostalgic trip to the golden era of 2000s rap, where baggy jeans, booming bass, and G-Unit anthems ruled the world. With each beat drop, the energy in the air thickened. Teenagers who probably first heard “In Da Club” on their parents’ playlists danced shoulder-to-shoulder with longtime fans who grew up on the gritty swagger of early-2000s hip-hop. It wasn’t just a concert, it was a statement. 50 Cent isn’t just a name from the past; he’s a global icon whose music still commands stages and hearts across continents. But to reduce 50 Cent’s success to just music would be an understatement. This is a man who transformed survival into an empire. From selling over 30 million albums worldwide to building a formidable career in film, television, and business, 50 is the blueprint for what happens when talent meets strategy. He’s not just a rapper, he’s a mogul, a mentor, and a master of reinvention. At Mawazine, his set was pure adrenaline. He tore through hits like “Candy Shop” and “P.I.M.P.” with the same hunger that launched him into superstardom more than two decades ago. His presence on stage was magnetic, his command of the audience effortless. It’s rare to see an artist maintain this level of intensity and relevance over such a long span, but then again, 50 Cent was never typical. The 20th edition of the Mawazine, kicked off June 20 and is running through 28, once again transforming Rabat and Sale into vibrant hubs of artistic exchange, drawing top-tier talent from across the Arab world and beyond. Founded in 2001, Mawazine has become one of the world’s most attended cultural events, regularly welcoming over 2 million festival-goers. It’s more than a music festival, it’s a celebration of global sound, shared experience, and cultural pride. And this year, with 50 Cent lighting up the stage, it reminded everyone why some legends never fade, they evolve. Read also: New Study Finds That Parrots Might Actually Talk Like Humans
