Rabat – Egyptian comedy-action film “Khali Belek Min Nafsak” arrives in Moroccan cinemas on July 29, bringing one of this summer’s biggest Arab box office hits to local audiences.
Directed by Moataz El Tony, the film reunites Egyptian stars Yasmin Abdelaziz and Ahmed El Sakka for their first big-screen collaboration, more than two decades after they appeared together in the play “Keda Ok.”
Joining them are some of Egypt’s most recognizable actors, including Lebleba, Mohamed Radwan, Mostafa Abu Seriea, and Mohammed Tharwat.
A romance that takes an unexpected turn
The story follows Alaa, a radio host known for avoiding commitment and leaving behind every romantic relationship he enters.
Things take an unexpected turn when he meets Farida. What begins as another casual romance quickly becomes an action-filled journey that turns his life upside down.
When he once again tries to walk away, Farida reveals a side of herself he never imagined. The seemingly gentle woman turns out to be one of the country’s most feared gang leaders, forcing Alaa into marriage and dragging him into a world of danger, chaos, and nonstop action.
From that moment on, there is no turning back as Alaa finds himself navigating high-stakes situations, with comedy woven into every twist.
From Arab box office success to Morocco
The Moroccan premiere follows the film’s successful run across several Arab countries, including Kuwait, Iraq, and Saudi Arabia, where it topped box office charts.
Its arrival in Morocco is unlikely to go unnoticed. Egyptian productions have long enjoyed a special place among Moroccan audiences, who have followed generations of Egyptian cinema, television, and theater.
For many Moroccans, Egyptian films are more than entertainment. They are part of a shared cultural memory, with countless viewers growing up watching the country’s classic movies, iconic plays, and beloved television productions.
With its blend of romance, comedy, and action, “Khali Belek Min Nafsak” now hopes to add another memorable chapter to that long-standing connection between Moroccan audiences and Egyptian cinema.
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